On Video Art in Europe : Books
Marius Babias, Kathrin Becker et Dieter Daniels (éd.), Time Pieces: Video Art Since 1963, Cologne, Walther Konig, 2014
François Bovier (éd.), Early Video and Experimental Film Networks: French-Speaking Switzerland in 1974: A Case for “Minor History”, Lausanne/Dijon, ECAL/Les presses du réel, 2017
Sean Cubitt and Stephen Partridge (éd.), Rewind: British Artists’ Video of the 1970s and 1980s, New Barnet, John Libbey, 2012
An interview with Dieter Daniels in Videonale 10 (exhib. cat.), Kunstmuseum Bonn, Verlag Walter König Köln, 2005, pp. 151- 161, en
Andras Edit (éd.), Transitland: Video Art from Central and Eastern Europe 1989-2009, Budapest, Ludwig Museum, 2009
Catherine Elwes and Chris Meigh-Andrews (éd.), Analogue: Pioneering Video from the UK, Canada and Poland (1968-88), Preston, EDAU, 2006
Rudolf Frieling and Dieter Daniels (éd.), Media Art Action – The 1960s and 1970s in Germany, Vienne/New York, Springer, 1997
Jackie Hatfiled and Steve Littman, Diverse Practices-A Critical Reader on British Video, Arts Council England and John Libby Media, Luton Press, 1996
Wulf Herzogenrath (éd.), Videokunst in Deutschland 1963-1982, Stuttgart, Gerd Hatje, 1982
Wulf von Herzogenrath and Rudolph Frieling (éd.), 40 Yearsvideoart.de: Digital Heritage: Video Art in Germany from 1963 to the Present, Ostfildern/New York, Hatje Cantz/DAP, 2006
Alice Hutchison, art/tapes/22 in collaboration with the Venice Biennale Foundation’s Historic Archives of Contemporary Arts (ASAC) in Italy, The University of Califonia State, Long Beach Art Museum (UAM), 2008
Julia Knight (éd.), Diverse Practices: A Critical Reader on British Video Art, Luton, University of Luton Press, 1996
Laura Leuzzi and Stephen Partridge (éd.), Rewind Italia: Early Video Art in Italy, Bloomington, Indiana University Press, 2015
Laura Leuzzi, Elaine Shemilt and Steve Partridge (éd.), European Women’s Video Art, John Libbey Publishing, 2019
Davor Matičević, The Zagreb Circle in The New art Practice in Yugoslavia 1966-1978, Gallery of Contemporary Art Zagreb (Marijan Susovski ed.), Zagreb, 1978, pp. 25-26, en
Dorine Mignot (éd.), Revision: Art Programmes of European Television Stations, Amsterdam, Stedelijk Museum, 1987
Tihomir Milovac, The paradox of invisibility in Insert: Retrospective of Croatian Video Art (Tihomir Milovac, Silva Kalčić, Zagrebački Velesajam ed.), Muzej Suvremene Umjetnosti, Zagreb, 2008, en
Lars Movin and Torben Christensen (éd.), Electronic Undercurrents: Art & Video in Europe, Copenhague, Statens Museum for Kunst, 1996
Marit Paasche, Lives und Videotapes, The inconsistent History or Norwegian Video Art (introduction), Feil Forlag / Videokunstarkivet, Oslo, 2014, en
Stephen Partridge, Ben Cook, Sean Cubitt, Adam Lockhart (éd.), REWIND + PLAY An Anthology of Early British Video. LUX, London, 2009
Grégoire Quenault, Reconsidération de l'histoire de l'art vidéo à partir de ses débuts méconnus en France entre 1957 et 1974, PhD, under the dir. of Claudine Eizykman, Université Paris 8, 2005
Marijan Susovski, Inovacije u hrvatskoj suvremenoj umjetnosti sedamdesetih godina (Innovations in Croatian Contemporary Art of the Seventies) in The New art Practice in Yugoslavia 1966-1978 (Marijan Susovski ed.), Gallery of Contemporary Art Zagreb, Zagreb, 1978, pp. 26-28, cz
On Video Art in Europe: Articles / Published in Journals
Jean-Paul Fargier, Paikologie, Cahier du cinéma, n. 299, April 1979, fr
Sean Cubitt, Greyscale Video and the Shift to Colour, Art Journal, Fall 2006
Wulf Herzogenrath, Videokunst, ein neues Medium in der bildenden Kunst in Magazin Kunst, n. 4, 1974
Jeremy Welsh, One Nation Under A Will (of Iron), ou : les jouets brillants des enfants de Thatcher in Kunstforum International, n. 117, 1992
On Video Art in Europe: Texts for catalogues
Dieter Daniels, 10 Years Videonale – Greatest Hits, Videonal 6, 1994, Bonn
Catherine Elwes, Through Deconstruction to Reconstruction in Desmontaje: Film/Video/Apropiacion/Reciclaje(Demontage: Film/Video/ Appropriation/Recycling), Institut Valencia, 1993, pp. 162-165
Wulf Herzogenrath, Video als Künstlerisches Medium, Köln Kunstverein, 1974, pp. 2-5,
Wulf Herzogenrath, An Advocacy Art for a New Time in Project 74, Kunsthalle Berne, pp. 80-87, 1974
Wulf Herzogenrath, Video Art in West Germany in Ira Schneider and Beryl Korot (éd.), Video Art: An Anthology, New York, Harcourt Brace Jovanovich, 1976
Wulf Herzogenrath, Video in Kunst über mittlungsformen, NKB Berlin, 1977
Miklos Peternák, A videóról (On Video), 1980
On Video Art in Europe: On Artists
Gábor Bódy, A presentation of his work, 1946-1985, Palace of Exhibition, Budapest, 1987
László Beke, Gábor Bódy, Networker, 2017
Stephen Partridge, A Small Survey of Early Works in Retrospektiv : film- og videokunst i Norge, 1960-90 (Farhad Kalantary and Linn Lervik, éd.), Atopia Stiftelse, Oslo, 2011
Stephen Partridge, Artists' Television: Interruptions – Interventions in REWIND British Artists' Video (Sean Cubitt and Stephen Partridge (éd.)), John Libbey Publishing, 2012
Image, Vision and the Attribution of Meaning in Gábor Bódy's Oeuvre in Der Stand der Bilder: die Medienpioniere Zbigniew Rybczyński und Gábor Bódy / State of Images: The Media Pioneers Zbigniew Rybczyński and Gábor Bódy (Siegfried Zielinski and Peter Weibel éd.), Nürnberg, Verlag für Moderne Kunst, 2011
Video corpus. La vidéographie dans tous ses états, dossier no. 10., Institut d'Étude et de Recherche en Information Visuelle, Lausanne et Fondation Pro Helvetia, Zurich, 1979
Video Art, England’s Avant Garde, an interview with Sean Cubitt, Rewind 2009
On Video Art in Europe: Chronologies
László Beke, An Outline of the History of Hungarian Video Art, 1985
David Curtis, (ed.), A Directory of British Film and Video Artists, Arts Council of England John Libby Media, Luton Press, 1996
David Curtis, A History of Artists’ Film in Britain, British Film Institute, London, 2007
Rudolf Frieling and Dieter Daniels (éd.), Media Art Action: The 1960s and ʼ70s in Germany, Goethe Institut, ZKM-Karlsruhe and Springer, New York, 1997
Mike Hartney, An Incomplete and Highly Contentious Summary of the Early Chronology of Video Art (1959-75) in LVA Catalogue, 1984
Wulf Herzogenrath, Chronology für die USA und Europa in Project 74, Kunsthalle Berne, 1974
Alan Leonard Rees, Projecting Back: UK Film and Video Installation in the 1970s, 2009/2010
On Video Art in Europe: Online archive
C3 / Online Video Art Catalogue, Hungary
Monoskop / on Video Art
Heure Exquise ! / online Archive, France
New Media Encyclopedia
Muntadas / online Archive
Vasulka / online Archive
Theoretical and Historiographical Publications on Video Art
Ina Blom, The Autobiography of Video. The Life and Times of a Memory Technology, New York, Sternberg Press, 2016
Michael Goddard, Guerrila Networks: An Anarchaeology of 1970s Radical Media Ecologies, Amsterdam, Amsterdam University Press, 2018
William Kaizen, Against Immediacy: Video Art and Media Populism, Hanover, Dartmouth College, 2016
Yvonne Spielmann, Video: das reflexive Medium, Frankfurt am Main, Suhrkamp, 2005
Helen Westgeest, Video Art Theory: A Comparative Approach, Malden, Wiley-Blackwell, 2015
On General History of Video Art
Maeve Connolly, TV Museum: Contemporary Art and the Age of Television, Bristol/Chicago, Intellect Books, 2014
Catherine Elwes, Video Art: A Guided Tour, London/New York, I. B. Tauris, 2004
Rudolf Frieling and Dieter Daniels (éd.), Media Art Net 1: Survey of Media Art, Vienne/New York, Springer, 2004
Malin Hedlin Hayden, Video Art Historicized: Traditions and Negotiations, Surrey/Burlington, Ashgate, 2015
Wulf von Herzogenrath et Edith Decker (éd.), Video-Skulptur: retrospektiv und aktuell 1963-1989, Cologne, DuMont, 1989
Kathy High, Sherry Miller Hocking, Mona Jimenez (éd.), The Emergence of Video Processing Tools, 2 vols., Intellect, 2014
Slavko Kacunko, Closed Circuit Videoinstallationen, Berlin, Logos, 2004
Henriette Huldisch, Before Projection: Video Sculpture 1974-1995, Cambridge/Munich, MIT List Visual Arts Center/Hirmer Verlag, 2018
Chris Meigh-Andrews, A History of Video Art, Oxford/New York, Berg, 2006 ; rééd. augmentée: New York/Londres, Bloosmbury, 2014
Text Anthologies and Sources on Video Art
René Berger, L’Art vidéo et autres essais (1971-1997) [François Bovier & Adeena Mey, éd.], Zurich/Dijon, JRP|Ringier/Les presses du réel, 2014
David Curtis and Alan Leonard Rees (éd.), Expanded Cinema: Art, Performance & Film, Tate Publishing, London, 2011
Catherine Elwes, Video Art, A Guided Tour, IB Taurus, London, 2005
Vittorio Fagone (éd.), L’art vidéo 1980-1999: vingt ans du VideoArt Festival, Locarno: recherches, théories, perspectives, Milan, Mazzotta, 1999
Doug Hall et Sally Jo Fifer (éd.), Illuminating Video: An Essential Guide to Video Art, New York, Aperture Press, 1991
Jackie Hatfield (ed.), Experiments in Moving Image, Epigraph Publications, London, 2004
Slavko Kacunko (éd.), Theorien der Videokunst. Theoretikerinnen 1988-2003 & 2004-2018, 2 vols., Berlin, Logos, 2018
Alan Leonard Rees, Video Art and the Argument from Design, 2004
Ira Schneider and Beryl Korot (éd.), Video Art: An Anthology, New York, Harcourt Brace Jovanovich, 1976